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Andrew's Tumblr

For 80% of the work week, I'm the station manager of CFUR radio in Prince George. For the other 20%, I work on the CBC radio program Daybreak North. I'm also the communications director of the Coldsnap Music Festival.

I've been a mill worker, coffee shop hack, newspaper editor, BC government employee, marketing assistant, DJ, knife salesman, research assistant, & ESL teacher in Wuhan, China.

I'm also a homeowner, pet lover, and dodgeball player.

My Tumblr acts a notebook of funny and/or interesting things I find on the internet.

My homepage and blog is here.

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  • Beyond Repair :: Ryerson Review of Journalism

    A in-depth look at the last few years of the CBC news desk and the challenges it faces.

    Some key thoughts:
    “In the mainstream of the Western democratic tradition, public broadcasting has a distinctive something. It’s not something that follows, apes or mimics the private sector. It’s something that goes into more depth, covers things longer, tries to get behind the news to explain what’s going on and not chase fire trucks, sensationalizing, using news as entertainment, shock. Magid’s reputation is moving it in that direction and that is consistent with the current CBC management’s preoccupation with audience numbers and stylistically copying things that happen in the private sector in this country, and particularly in the United States.” - Ian Morrison, spokesman for Friends of Canadian Broadcasting

    “Seventy to 80 percent of news can actually be planned for… You can’t plan for an earthquake in Haiti but you can plan for how you’re going to respond to an earthquake somewhere, so you can be a little bit ready. We can certainly be planning for most events that we end up covering.” - Todd Spencer

    “This is part of their new identity… that they’re not necessarily going to educate or service people in the way that has been traditionally understood as the mandate of public service broadcasting.

    “So CBC is now on Facebook and they’re saying, ‘Tell us what you’d like covered.’ Like they’re literally saying, ‘If you express enough interest in this story, maybe we’ll put it higher up on the actual nightly coverage.’ It’s quite fascinating, the degree to which they are trying to actually not just become more of a public broadcaster but more of a popular broadcaster.” - Derek Foster, Assistant professor at Brock University

    Harrison and Whitten are both sensitive to the impact on the audience, but they also feel the show had to respond to the times if it were to continue. Whitten points to The National’s website and 10-minute downloadable podcast (updated every weekday at 6 p.m. ET before the main broadcast) as examples of the show’s attempts to adapt to the times. “It’s recognizing that, 10 years from now, are people really going to be still sitting waiting for 10 o’clock at night to get the news? And The National is a hugely important brand for CBC, so why have people wait until 10 o’clock at night?”

    “CBC News then walks a tightrope of expectations between two types of audience: the one that thinks CBC as a public broadcaster has a duty to give Canadians vital content without pandering for advertising money, and the other that wants CBC to maintain its quality while providing a return on taxpayers’ investment. CBC News can either continue, underfunded and struggling to compete for shorter attention spans, or be burnt to the ground.”

    Posted on July 9, 2010

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